Ghost of Yotei Will Be Less Repetitive Than Tsushima

Ghost of Tsushima's sequel, Ghost of Yotei, aims to overcome a major criticism leveled at its predecessor: repetitive gameplay. Developer Sucker Punch is actively working to counteract this, promising a more varied and engaging open-world experience.

Ghost of Yotei: A New Approach to Open-World Exploration

Addressing Repetitive Gameplay in Ghost of Tsushima

In a recent New York Times interview, Sony and Sucker Punch shed light on Ghost of Yotei, focusing on the journey of its new protagonist, Atsu. Creative director Jason Connell highlighted the challenge of avoiding repetitive open-world gameplay: "One challenge...is the repetitive nature of doing the same thing over and over," he stated. "We wanted to balance against that and find unique experiences." He also confirmed that, unlike its predecessor, Ghost of Yotei will feature firearms alongside melee combat.

While Ghost of Tsushima boasts a respectable Metacritic score of 83, criticism regarding repetitive gameplay is prevalent. Reviews often cite a lack of depth and overly familiar mechanics, suggesting a more focused or linear approach would have been beneficial.

Player feedback echoes these concerns. Many praise the game's visuals but point to repetitive enemy encounters and gameplay loops as significant drawbacks.

Sucker Punch is determined to avoid repeating these mistakes. They aim to refine Ghost of Yotei, addressing the repetitiveness while maintaining the series' signature cinematic presentation and stunning visuals. Creative director Nate Fox emphasized this in the interview: "When we started working on a sequel, the first question we asked ourselves is ‘What is the DNA of a Ghost game?’...It is about transporting the player to the romance and beauty of feudal Japan."

Revealed at the September 2024 State of Play event, Ghost of Yotei is slated for a 2025 PS5 release. Sucker Punch Sr. Communications Manager Andrew Goldfarb promises players "the freedom to explore" Mount Yotei at their own pace.